After their first meeting, Sarah tells Eva that Albert asked for her number, and she reluctantly gives it away, noting that he’s “kind of fat.” There are many other references to his sizeable “belly,” courtesy of Eva and Marianne and, in the aforementioned tipsy dinner scene, she cruelly jokes that she’s planning on purchasing Albert a “calorie-counter book.” In the bedroom, he’s very self-conscious about his weight, asking Eva, “Can you breathe when I’m on top of you?” And later, when the two are lying in bed, he says, “I’m planning on losing some weight… I really need to.” It’s strange to hear in light of the late actor’s cause of death, but Louis-Dreyfus says that if anyone would poke fun at his own weight, it was Gandolfini, who had a very “self-deprecating sense of humor.” In Enough Said, there’s a running gag aimed at Gandolfini’s character that is sure to raise some eyebrows: his character’s weight. So, she’s caught between a rock and a hard place. During their weekly massage sessions, Marianne constantly rips into her ex-husband-whom Eva discovers is none other than Albert. Soon, the two fall for one another but, unbeknownst to Albert, Eva befriended a woman named Marianne (Catherine Keener) at the same party. “And I was shocked and embarrassed, but it really works.” “He improvised that!” says Louis-Dreyfus with a chuckle. As she leaves, he says, “You’ve got a nice ass.” When he drops her off, Albert leans in to kiss her, but she turns him down. Despite the terrible atmosphere, the two relish one another’s company. The two go out on a first date to a hip restaurant with blaring music. One night at a party that they both really didn’t want to attend, Eva and Albert meet, and immediately click. Louis-Dreyfus appears in every scene of the film and her comic timing is impeccable whether she’s the tipsy guest torpedoing a dinner party or cracking wise with her best pal Sarah, played by Toni Collette. Eva is an awkward, foot-in-mouth sorta gal and, when she’s not struggling to communicate with her daughter, spends her days toiling away as a massage therapist. She plays Eva, the divorced mother of another moody teenage girl who’s about to go to college. “He was that guy.”Īs for Louis-Dreyfus, the Seinfeld actress, who won an Emmy last year for her turn as overwrought Vice President Selina Meyer on HBO’s Veep-and is up for another this year-is back in her first film role in 16 years. “Obviously he’s playing a character, but you really are seeing something true to the real Jim Gandolfini onscreen.” She pauses, choking up a bit. “He plays this thoughtful, kind, self-effacing gentle giant, Albert, and I have to say that that’s really who he was,” says Julia Louis-Dreyfus. The performance is a testament to the onscreen tough guy’s versatility as an actor, and hints at the diverse array of performances we’re all missing out on. And we’ve never seen Gandolfini play a role like this before: a tender, lovable man with a set of bizarre quirks, from separating the onions in a bowl of guacamole to collecting bottles of mouthwash, and a dry sense of humor. Albert is a sweet man with no friends, choosing to divide his time between his job as a librarian of sorts, converting old TV programs to digital, and worrying about his teenage daughter. He plays Albert, the divorced father of an insufferable fashionista who’s about to ship off to college. It’s impossible to view the film without mourning the late Sopranos star, who passed away recently from a heart attack at the age of 51. The first, of course, is James Gandolfini.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |